We are twenty-three American creators’ organizations, representing over 85,000 authors, photographers and artists, united to receive foreign reprographic royalties and direct them to benefit every American creator.

Through Our Member Associations

Non-title-specific foreign reprographic royalties received by ACA are distributed to our Member Associations. These funds are mandated to benefit every American creator, and not just an organization’s members.

ACA funds have supported American creators through:

  • Federal copyright advocacy initiatives on behalf of visual and text creators
  • Copyright amicus briefs
  • Copyright education for creators
  • Advocacy with the U.S. Copyright Office
  • First Amendment amicus briefs
  • Coordination and drafting of judicial amicus briefs in all levels of the courts, on behalf of all photographers
  • Advocacy for collective bargaining rights for freelance creators
  • Direct support of creators’ First Amendment rights
  • Scholarship programs
  • Grant programs
  • Diversity programs
  • Model contracts
  •  Advocacy regarding the impact of generative artificial intelligence on both visual creators and authors
  • Advocacy and litigation opposing book banning efforts
  • Authors’ and creators’ access to legal advice
  • Educational webinars and seminars available to all creators
  • Arts outreach for the incarcerated
  • Educational programming including You Tube channels
  • Books outreach programs to underserved communities
  • Access to music education for all students
  • Protection and preservation of indigenous music

Through Our Individual Author Distributions Program

ACA pays title-specific foreign reprographic royalties directly to identified photographers, artists and writers. We are proud to help support a vibrant, growing American arts community. To date, over $3 million has been paid to more than 3,000 creators. Are we looking for you? Visit our Individual Author Distributions Program page to find out.

The Copyright Act of 1976 (effective January 1, 1978) provides that U.S. copyright subsists in a work from the time of creation, whether or not it is registered. Yet registration is critical to an author’s ability to enforce their copyright in U.S. works. Under copyright law, if a work was first published in the United States or was authored by a U.S. national, domiciliary, or habitual resident

At the center of these meetings are discussions to gather support for the Visual Artists Copyright Reform Act (VACRA) which is based on a white paper that ASMP was the lead author on in 2024 and 2025. At the heart of VACRA is the awareness that the existing copyright system fails high volume creators, and all small creators generally. These failures can no longer go without remedy; the stakes are

The Graphic Artists Guild has endorsed the California bill AB-412, introduced by Assemblymember Rebecca Bauer-Kahan. The legislation seeks to increase transparency around the use of copyrighted materials to train generative artificial intelligence (GenAI). It requires model developers to provide copyright owners a means by which they could be informed on whether and how their copyrighted works wer

On July 24, SFWA jointly signed onto an amicus brief with nine other literary organizations. We are challenging a 2023 Iowa state law that would remove hundreds of books from K-12 libraries. Books like A Handmaid’s Tale, Maus, and I Know Why the Caged Bird Sings. Can you imagine a world without these stories?

The Intercept’s Press Freedom Defense Fund has announced a new fund to support reporters and photographers facing legal threats and other hardships for their coverage of protests in Los Angeles and other cities throughout the nation. Participating in the effort to provide assistance to these journalists are CalMatters and the National Press Photographers Association.